Iron Chef rant.

Prepare yourselves. I really am going to blog about this.

So, to give a little context here, Colin and I rarely get into TV shows. (Minus LOST.) I hate being emotionally involved in a show that I have to watch regularly. (Except for LOST. The universe stops for LOST.) We don't watch a fraction of the various shows our friends rave about, suggest to us, buy dvds of, or have on at parties with the sound off because they've already seen it 6 times. In fact, for the months of October and November, I even forgot about The Office, which might be the only other series we even watch. We had to catch up on like 6 episodes one night when we remembered that it existed at all.

Anyway. So that brings me to the weeks we utterly wasted after accidentally catching the first episode of The Next Iron Chef on the Food Network. It didn't seem to offer much, and we were bored. Granted, we were huge fans of the REAL Iron Chef series, back when it aired in the 90s and was a Japanese cult favorite. Now that was some awesome food television. Occasionally we've flipped on Iron Chef America, usually with the hope that Chef Morimoto would be competing. The rest of the series annoyed me. To say it was "Americanized" doesn't quite cover it.

But I digress. I didn't come here to whine about what a mockery of a cooking show Iron Chef America is, although I could.

The thing that really caught our attention that one fateful night we decided to watch The Next Iron Chef was this. HIM.

(courtesy of/stolen from foodnetwork.com)

Chef Jehangir Mehta. Born in Mumbai. Specializes in pastries. Owns Graffiti restaurant in New York City. Slightly weird, yet completely awesome. Colin does an impression of him that you would really find entertaining if you watched this series or gave a rat's ass that I was even talking about this.

AN INDIAN IRON CHEF?!? I've been waiting for this since like 1996. Indian cuisine was by far the most underrepresented style of cooking on all Iron Chef shows, America and Japan.

So yes. We were hooked. And guess what? HE MADE IT TO THE VERY END! YAY! Suddenly I was rewriting all my negative feelings about Iron Chef America. Maybe they were trying to rework their whole format. Maybe they too noticed the lack of Indian cuisine. Maybe this whole series was all a farce generated specifically to get Chef Mehta on the show. Think of what he would add! Think of how he would balance the cast! :oO

But, no. They weren't thinking any of those things. Mehta's competition, of course, was Chef Jose Garces, a South American influenced chef born in Chicago and working in Philly. Now, I don't actually have anything against Garces, except that he was boring, and seemed to be some sort of cross between Bobby Flay and Michael Symon. And who wants to watch another down-home-semi-spicy-American-grill-boy on a show with so many others just like him anyway? Apparently the people at the Food Network, that's who. I knew it was over the moment they announced the secret ingredient.

Ribs. What? RIBS?! That's the "fair ingredient" you came up with? Are you on crack, Alton? RIBS? Between a latin grill cook and a PASTRY CHEF FROM INDIA?! I can think of 10 things off the top of my head that would be more fair than ribs. How bout corn, Alton? Maybe chilies? Bananas? Butter even? AGH. I wanna see Chef Garces grill up a strawberry.

And to cement the whole situation, of course they decided to bring out 3 current Iron Chefs to contribute to the judgment, along with the regular judges, despite the fact that they were never present at any other time in the competition (okay, Morimoto was once) and had no possible way of gauging the overall cooking abilities of the 2 chefs over the course of the last however-many-weeks we've been doing this. Why have the same 3 judges for the ENTIRE competition if not so they would have a complete, varied experience with these 2 chefs' cooking skills? Why do Morimoto, Flay, and Symon suddenly get a say in any of this? Because they're Iron Chefs too? Then why weren't they present THE WHOLE TIME?

And of course Flay and Symon liked Garces better. Of course they noted his exceptional grilling skills. Grunt. Grill. Meat. Grunt. Even Jeffrey Steingarten (one of the judges) pointed this out when he countered with "You only like him because he cooks like you do." To their shock and dismay. Ugh. In fact, all the judges seemed to have the same issue, which was the inverse of Flay and Symon's opinion. "Yes, Garces can cook well in a technical sense, but he's boring. It was all boring." They went on to note Chef Mehta's moments of genius and creativity, factors they felt were important in awarding the title of Iron Chef. As anyone sane at the Food Network would realize. In fact, they made sure to mention that not only did Mehta create the best dish of the entire night (which Flay and Symon agreed with) but last week he also created the best dish of the entire competition. Sure, maybe he added too many flower decorations to his plating, but he would also be different from any other chef on the show. Including Morimoto.

But of course Garces won. I bet it was nearly tied between the regular judges, who seemed to prefer Mehta, and the Iron Chef judges, who showed up for the day to add points toward Chef Garces. I notice they didn't actually show the final scores. Fair, Alton? Fair is not one of the words I'd use here. (I furthermore wouldn't constantly comment about how Kevin Brauch is Canadian all the time, but that's another story.) I'm certainly less inspired to watch Iron Chef America now, whereas I may have become a new fan after a win for Chef Mehta. Oh well. However, according to the statistics I've seen on foodnetwork.com, Bobby Flay is by far the preferred Iron Chef of all, so already I know that most of America doesn't agree with me.

Score yet another for the down-home-semi-spicy-American-grill-boys.

Jehangir Mehta, you rock. And your messenger bag was KILLER.

[and to the rest of you: oh come off it, i know this was long and self-indulgent. why are you even reading this anyway? this blog doesn't exist yet.]

Switch.

[This new blog begins today. Everything from the last 3 years has been transferred over.]

I don't know what it is that holds me back from blogging. It has to be something. I have the time. I have the interest. Well, I'm interested in the concept of blogging, and I'm interested in the fact that other people I know have the capacity to blog regularly. Whenever I sit down to actually blog any of the millions of random things floating around in my brain at any given time, I freeze up and forget what I wanted to say in the first place, assuming I don't suddenly feel completely and utterly bored with it, bored with myself. I think I find myself uninteresting. This of course makes me fear that others will find me just as uninteresting, and that makes me shut down blogger and check to see if Twitter has been updated in the last 10 seconds with anything that is interesting.

Welcome to my introversion.

But, this mentality totally conflicts with a couple of things.

1.) I want to be BOLDER in my life. I've been saying I want to be less bashful in my 30s than I have been in my 20s. I have exactly 43 days to figure out what that means and how to do that.

2.) I want to regroup and retool my business, my art career, and my public/online presence relating to those things. I want to do that yesterday, so I'm kind of behind in figuring out how to do that.

We are in process here. Can you feel it?? Can you feel THE PROCESS?!

Oh wait, you don't even know this new blog exists yet. Well, HA. hahahahhaa. A secret. Something that you don't know. Unless you google my name. Then you might. Okay maybe "secret" isn't the right word. I just wanted to feel special about something. And maybe "new blog" isn't the right term either, since it's the same blog, with the same stuff, except for this post you may or may not be reading now. But LOOK! MY NAME!! In the URL!! :oO

hi.

... and you lose some.

There's nothing I can say to sugar coat this blog entry.

I've written about Gen Kai Japanese Restaurant before:

Japanese Artistry
Adventures in Sushi
Nami

It's been my favorite restaurant for about, oh, 15 years. The sushi there is impeccable. I enjoy its authenticity. There are so many Americanized sushi places out there nowadays, and so far I've found nothing that compares.

Anyway.

There was a fire this past weekend, and it destroyed much of the interior of the restaurant. The structure is still standing, and they hope to rebuild eventually. My heart just broke when I found out. We've developed personal relationships with many members of the staff, and I can't imagine how awful they must be feeling. It's just soul crushing to think about. If Jun-san and Irene-san happen to be reading this, know that we are thinking about you.

As for me, though I have suffered a personal loss in this experience, it's hard for me to feel as though my situation compares. It's sad all around. Either way, restaurants can be rebuilt, paintings can be remade. No lives were lost. In the end, it's all just stuff. As we used to say in the old Immersion days, it's about The Journey.


Even if it's painful to look at. :o(

Moonlight Mood . 8x10 . 2009






1. natural lighting
2. artificial/interior lighting
3. combined uv and artificial lighting
4. uv lighting only
5. no light (glow in the dark)

Ingredients: acrylic, beach sand, crushed glass, phosphorescent pigments, varnish, water & light on canvas.

Moonlight Mood is a Glenn Miller song. :o)

I don't know what it is about this painting that reminds me of a 1940's nightclub, but I seriously feel like mixing up a highball and swingin' the night away to a large orchestra. Hence, its title.

I should also note the the texture on this piece is so thick and texturey, it sticks up nearly half in inch away from the canvas. In some ways, it's more like sculpture. Or, as Colin put it, "an acrylic meteor."

:o)

Moonlight Mood is available in my Etsy shop
.

When something is truly awesome, I really should blog about it.

THIS IS SO AWESOME! AGH!



(now would be a good time to mention that I've never even heard Beyonce's original version, and I have even less intention of doing so now.)

But! In case you're more of an Earth Wind and Fire type of person, here ya go!



More Pomplamoose to listen to online.

Love it. LOVE IT. Go buy Pomplamoose's music. Now. Support art. Support AWESOME art.

Resonance . 24x30 inches . 2009





1. natural lighting
2. artificial/interior lighting
3. combined uv and artificial lighting
4. uv lighting only
5. no light (glow in the dark)

Ingredients: acrylic, beach sand, crushed glass, phosphorescent pigments, varnish, water & light on canvas.

"Water need not think to offer itself as a home for clear moonlight." --Sogi


I think I must find water to be spiritual, because I have an ongoing obsession with it. Water is essential for all forms of life. It gives life and takes life. A raindrop is so small and soft, yet a tsunami washes villages away.

The idea of living in the middle of the country somewhere far away from any large bodies of water seems nightmarish to me. Dry and nightmarish. What do you breathe out there? Dust? Dirt?

Truthfully, I'm also afraid of the ocean. I adore the ocean when I'm standing on a beach, or when I'm close to shore surrounded by turtles and yellow fishies. But deep water? Open ocean? Now that's a nightmare.

Cymatics! I don't have a fancy lead-in for that, it's just awesome and should be announced. Basically, cymatics is the study of wave phenomena, specifically sound wave vibrations. Look at this flower shape created through sound vibrations on water:


And if you're still with me and interested to see more, check out all these amazing variations in patterns this person created with a synthesizer and water:


A friend of mine was over last week and noted "all the moons" I was painting around my studio. This was true, but I really never think of myself as painting the moon, except maybe in a philosophical sense. I think of it more as exploring the light from the moon, or the mood of the moon. I'm not even sure it's necessarily inspired by the moon when I paint it. Maybe it's just a star. Or a planet. Or a circle. Maybe it's just light. Someone once encouraged me to "paint the moon" in a realistic way, with all the visible craters and regions on the moon we see every night, adding that "that would be REALLY interesting" if I did so.

I have a feeling I'll never be doing that. ;o)

Eternal Sunrise . 48x60 inches . 2009






1. natural lighting
2. artificial/interior lighting
3. combined uv and artificial lighting
4. uv lighting only
5. no light (glow in the dark)

Ingredients: acrylic, beach sand, crushed glass, phosphorescent pigments, varnish, water & light on canvas.

Ahhhh. Hello super ridiculously large painting. Nice to meet you.

Well, goodbye, rather, because I just shipped this piece off to Chicagoland today. Actually, it's kind of sad, I'd really grown used to the bright orange sunrise everyday. It was causing me to paint a wave of tealish blueish greenish paintings. Now my studio is totally unbalanced. And naked. Good thing I have a blank canvas the exact same size just waiting to be painted something colorful. Or maybe it will be dark and gray. Who knows.

This is the painting I was counting dots on. I counted every single dot. I won't be doing this again. I learned quickly that I can't listen to music and count simultaneously. And really, I prefer listening to music than counting 4,647 dots.

That's right. You heard me. This painting has 4,647 dots.

I wanted this piece to be extremely glowy. In the event that its owner doesn't get a blacklight to go with it (get one, Stephanie, get one) it should still light up the room after dark. (Get one, Stephanie, get one.)

Hope you like it. ;o)

Too hot


Um. 109? In Orange County?

I've been clear on my feelings about the desert. For someone who hates dryness, August through November is a vile, vile time in Southern California.

So, instead of acknowledging the heat, I'm going to get even more psyched for sweet breezy humidity in January. (Hawaii!!)

But, actually, that picture is of the plumeria on my patio. :o)

Photo Outings

What do you get when you mix a modern Canon DSLR with a vintage Argus?





We took a field trip to the park to play with our very different cameras and had a successfully artsy time. The vintage one belonged to my grandparents, before my mom saved it (plus a few others) from the Good Will pile. Phew.

Let the fun begin. :o)

More photos here.

New ACEOs



Available in my Etsy shop! (Click on them to see the other lighting conditions.)

I'm currently working on 9 different paintings right now. So, where there has been an absence of painting related blog posts lately, there will soon be a flood of them. I cannot *wait* to start taking pictures of them with our new camera. The detail and difference when getting shots of these ACEOs was obvious immediately.

woo

We Need To Pray Just To Make It Today

More fun with our new camera!





Oh fine, now he's all shy. When he was smaller and lived on my arugula plant, he was all rebellious and angry and charging me. No, really, he would run up the tallest stem at me, flashing gang signs, makin' all kinds of threats. Jerk. I made Colin take him somewhere far, far away.

But now he's back, and he brought a friend, and the friend lives in our cypress tree, and this guy lives in our plumeria tree and now he runs in the opposite direction because clearly he's a little camera shy in his adult years. Who's chasin' who now, buddy?? Yeah. That's right.

So we have a truce. He doesn't charge me, and in return, I let him stay there and eat bugs. (Which works out nicely, because the truth is, he really scares the crap out of me.)

We got a fancy new camera.

So... I've been taking pictures of things. Mostly things on our patio.




But how's this for texture?



:o)

The Interim

Just swinging by to post something anything while I'm wrapping up some actual work to show you.

Get this: I've painted 3,970 dots in the last 2 weeks. Yes, that's accurate, and yes, I counted. More later.

A glimpse of something else:


Oh, also, check out this awesome feature Connie at Dirty Footprints Studio did of me! :oD

Ethereal

New ACEOs






I was struck with an idea on how to make ACEOs more like my original paintings (without taking a ridiculous amount of time) and it worked!! :o) I'm happy.

So... these now have beach sand, which is cool. Also, I used heavier phosphorescent pigments, so they will glow brighter than you can believe. Glass too, so they sparkle!

I have 4 more that I'm still working on.

I also have 5 tealish aqua turquoise paintings that are in process. Yes, 5. I'm not quite sure how that happened, I don't normally spread out a color obsession over so many separate pieces at one time. I think it's because I'm almost done with an Orange custom painting that's 4 feet tall and 5 feet wide, and I needed to color an equal amount of "space" with an opposing paint color.

I think I'm about to start a big, bright, purple painting. Wouldn't that be rad?